by Bridget Petrella with additional editing by Beth E. Cochran
Paramount's Iron Man Heating Up The Summer

Since 1998, Marvel films have easily grossed over $4.9 billion worldwide at the box office, firmly establishing itself as one of the top entertainment brands in Hollywood. David Maisel, CEO of Marvel Studios, explains why Marvel has been so successful in adapting its comic book characters to the silver screen. “Our films are as much about the man as the superhero. We cast great actors who will appeal to both kids and adults. We set our films up to appeal to everyone. Over the past seven or eight years we have had great luck in combining unique and original talent with our spectacular world-renowned characters. We've been very fortunate that with the Marvel brand, we have been able to attract talented filmmakers as well as the best technicians, visual effect supervisors, cinematographers and visual effects companies in the world, which has resulted, we believe, in the best kind of genre mega-event summer pictures out there.”

"Howard Hughes was probably one of the most colorful men of our time,” says executive producer Stan Lee. “He was an inventor, a true adventurer, a billionaire, a ladies' man and, then finally, a nutcase." Lee continues, “What triggered me to create a character like Iron Man was that I wanted to do something different than the usual super hero. In 1963, Iron Man was all the things that young readers in those days didn't really care for: he was an industrialist and created war machines. I thought to myself, I'm going to make these kids like him by making Tony Stark a rich, glamorous, handsome, interesting guy. I also gave him a weak heart so that he would have one thing about him that made him less-than-perfect and would also give the readers something to worry about. The response to the character was amazing and, of all the Marvel characters, Iron Man received more fan mail from female readers than any other property. People of all ages connected to the human side of the character.” A unique and vastly popular character in the Marvel universe, Iron Man is the only self-made superhero whose superhuman strength and abilities come from the powered suits of armor created from the genius mind of Tony Stark.

For Director Jon Favreau, the chance to create a new superhero for the screen was one that he couldn't pass up. “I grew up reading Marvel Comics,” he says. “It's an exciting challenge to direct `Iron Man' because he's the biggest character in the original pantheon of the Marvel universe who has never had a movie made about him. I come from the independent film world, and what I like to think I bring to the table is the ability to tell a story in a simple, relatable way that brings out the humor in situations, as well as the humanity of the characters. One of the great assets of Marvel Comics is that the heroes are very human and flawed. Marvel began when the iconography of the superhero was larger-than-life. They were usually flawless paradigms of integrity. But Marvel changed the landscape by creating superheroes with their own shortcomings and a recognizable humanity that is enjoyable and interesting to explore.” 

In casting the rather pivotal role of Tony Stark, the filmmakers went completely against the grain in casting Academy Award-nominated actor Robert Downey Jr. “Robert Downey Jr. wanted to play Tony Stark as much as I wanted him to play the character,” recalls Jon Favreau. “He wasn't the most obvious choice from a studio's point-of-view, but Marvel gave me the freedom to cast the best person for the role. In many Marvel movies, the superhero image is the big star and they've had a lot of success in the past when they've hired people who were strong, interesting actors, and relied on the name of the brand itself to be the rallying cry from a commercial standpoint. This allows you to attempt to make the best movie possible, and when Robert Downey Jr. came on board he became a true partner creatively.” For Downey, the chance to play Tony Stark and slip into the red and gold armor was a childhood dream come true. “I'm an American. I love Marvel Comics and grew up reading Iron Man and Spider-Man,” affirms Downey. “I have always been drawn to Iron Man because he had amazing ingenuity and intelligence. Superheroes are great, but superheroes who manufacture weapons and then build a suit of armor that they wear and can fly around in makes for the ultimate 'nerdgasm,'” he laughs. On a more serious note, Downey continues: “He's someone who's conflicted for the right reasons, and who doesn't recognize his potential until he starts to live in accordance with a moral code; it's a great time-honored theme.”

For Downey Jr., who was actively involved in the creative development of the film and script, the days of preproduction also included an intense regimen of weight training and martial arts in order to prepare him for the physical demands of playing the character. “About a year ago I decided that I really want to put on some size, which isn't easy when you're approaching 40,” observes Downey. “I felt that if I was ever going to do a movie like `Iron Man,' I had to do it quickly before it became embarrassing being the guy in tights with the flabby body. The first thing I did was tons of strength training, because I'm not a kid anymore and you must first get your tendons, bones, and subcutaneous muscles strong enough to deal with the weight you're going to be lifting. It was really about survival for me, and all of the hard work in preproduction wound up giving me the strength to do the movie.”
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UPBEAT Editor-In-Chief Bridget Petrella continues to wander about aimlessly through a vast feature film wasteland of what appears to be Hollywood gone completely mad... Occasionally she likens the whole bizarre experience to that of being 'Green Acres' Mr. Douglas, which is precisely why she and business partner actress Sonia Satra, have founded Nite Owl Productions, Ltd, a madcap bunch of visionaries with hearts the size of The Grinch once he discovered compassion.


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