The Take Five Film Review 
by Bridget Petrella with additional writing by Beth E. Cochran

Paramount's 'Elizabethtown'Heartfelt and Endearing

A uniquely crafted comedy set in the key of life, “Elizabethtown” is the story of a truly unexpected romance that develops against the backdrop of a hilariously elaborate memorial. A life-affirming, comic fable that takes on matters of life and death in a suprising and heartfelt way, “Elizabethtown” is the journey of a young man turned in an unexpected direction and the woman who helps him brighten his outlook on the world around him. The film stars Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin, Bruce McGill, Judy Greer, Jessica Biel and Paul Schneider. “How do you say goodbye to someone you’ve barely even said hello to?” asks screenwriter/director Cameron Crowe in his new film, “Elizabethtown.” Crowe, who also won an Academy Award® in 2000 for his original screenplay for “Almost Famous,” again draws on his own experiences— the emotions he felt at his father’s unexpected passing— to inspire a motion picture.

“Elizabethtown” is about a quiet Oregon shoe designer who gets to know his father and his own family roots only after his dad’s death. He is aided in his journey by an unstoppably optimistic woman, and a host of family members, who combine in unique ways to teach him what’s it’s like to be truly alive. Crowe says that one of his goals with “Elizabethtown” was to make the type of film his father liked best: one that could achieve genuine emotion but always with humor close at hand. “A movie that could blend tears and laughter… that was his favorite combo,” says Crowe. “He and my mom actually had a name for that very special mix, they called it ‘Bread and Chocolate,’ after a foreign film they’d fallen in love with. Later, as a director, it became one of my favorite mixes too-- a movie that introduced you to characters who felt real, who took you into their lives and when that movie was over… you missed those people you’d met two hours earlier.”

“Cameron has an ability to take life and put it on the screen,” says Orlando Bloom, who takes on the role of the central character, Drew Baylor. “He makes it so real and so human that it just breaks your heart and makes you laugh all at the same time.” Kirsten Dunst, who plays Claire, the passionately positive flight attendant who changes Drew’s life, agrees. “This movie is about life. It’s not just a comedy or a just a drama or just a romance— it’s just life. It’s all about the intimate moments between people. It has so many different stories combined. It’s unpretentious and sometimes almost ‘slice of life’ in its reality. But if you look closely, every line and every action means something. It’s a Cameron Crowe movie.” In 1989, Crowe had just seen the theatrical release of his directorial debut, “Say Anything.” The movie had been released quietly, with little fanfare. It’s fortunes changed suddenly when the movie received an important early rave review from Siskel and Ebert. Crowe’s father was visiting family in Kentucky, having just seen the pivotal positive review and was in the midst of sharing the great news with family members, when he unexpectedly died of a heart attack. It was a blow for the young filmmaker and it left a lasting impression on him which is reflected in the film.

With “Elizabethtown,” Crowe found it was time to honor his father. “It’s a funny thing,” says Crowe, “but from the very beginning, I’d always resisted writing very personally about my own life and family. Even the books I loved growing up were rarely first-person stories. Then, when I turned 18, I wrote an article for ‘Rolling Stone’ called ‘How I Learned About Sex.’ It was under assignment, I had run out of other ways to tell the story. I wrote it in first-person. It was instantly a breakthrough for me. People responded resoundingly, immediately, wrote me letters. Friends and editors said, ‘I felt like you were writing about my life too.’ And it’s happened consistently ever since. The more personal the story, the more it seemed to matter to people. After ‘Almost Famous,’ I was asked a lot— what about your dad? What was he like? I’d written a short story about him called ‘My Father’s Highway.’ It was one of my favorites, though it lived in my drawer. And then one day…” The last time he saw what he calls “these electric blue hillsides” was when he returned for his father’s funeral in 1989. That was all the inspiration he needed. As Crowe recalls, “I dropped off the Heart tour, got a rental car, got lost in Kentucky, and wrote the whole story for the script in a burst.” For Crowe, telling this story was an extremely personal and often emotional endeavor. It was also a feast of colorful characters, and a vivid glimpse of life and loss and inspiration in modern America. “I always liked the idea of telling a story populated with failure and fiasco but in the middle of it is a person who exists only for love,” continues Crowe. “I often write about these characters because they’re heroes to me— they breathe in failure and spit it back out and move on. They believe in carrying on with life and honoring positivity. Besides, the other option is a lot darker and usually not as much fun.”

In the film, Drew is right at the center of his shoe company’s fiasco when he learns that his father has died half a continent away. He is assigned by his mother to travel to Kentucky, retrieve his father’s body, and bring him back home to Portland, Oregon. That’s when Drew runs headfirst into what Crowe calls the film’s “messenger of love,” Claire, a flight attendant with a mission: helping someone in trouble. “She immediately makes a project out of him,” Crowe says. Dunst was attracted to the role by the director’s genuine feeling and the honest emotion of the film. She says, “I hope that we made a beautiful story that people will really respond to and get emotionally moved by. It was one of the best characters that I’ve ever read for a woman my age— it was so well written. It was just really easy for me to just slide into these words. Claire's not self-deprecating at all; in fact, she’s very positive all the time. She’s really just there to help the other person— I can relate to that. She’s the type of girl who’s there to make people happy and help people,” says Dunst. Portraying an airline attendant came easily for the actress as her mother worked as an airline stewardess in the 1960s and ‘70s. “It’s in my blood,” the actress jokes. Working with Bloom was also a positive experience for Dunst. “He has such a vulnerability about him and such a sweetness. He’s not jaded at all. He’s just so easy to be around because he’s a dork like me; neither of us had to try to be cool with each other. It was just so very easy.” UB






Distributed by: Paramount Pictures
Rating:
Genre: Drama/Comedy

The Cast
Orlando Bloom as Drew Baylor
Kirsten Dunst as Claire Colburn
Susan Sarandon as Hollie Baylor
Alec Baldwin as Phil DeVoss
Bruce McGill as Bill Banyon
Judy Greer as Heather Baylor
Jessica Biel as Ellen Kishmore
Paul Schneider as Jessie Baylor
Loudon Wainwright III as Uncle Dale [as Loudon Wainwright]

UPBEAT Editor-In-Chief Bridget Petrella continues to wander about aimlessly through a vast feature film wasteland of what appears to be Hollywood gone completely mad... Occasionally she likens the whole bizarre experience to that of being 'Green Acres' Mr. Douglas, which is precisely why she and business partner actress Sonia Satra, have founded Nite Owl Productions, Ltd, a madcap bunch of visionaries with hearts the size of The Grinch once he discovered compassion.


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