by Beth E. Cochran with additional writing by Bridget Petrella
CBS' ‘The Twilight Zone’ An Enduring Pop Culture Touchtone.

Picture if you will, a man...a writer, —a weaver of words, purveyor of monochromatic morality tales, and if you feel in the mood to travel, journey with us now into the depths of that man’s mind. For it was within the creative byways and moral highways of the mind of the aforementioned writer that our story has its true beginnings... and where ultimately, our story ends. But if there is one extraordinary star in 'The Twilight Zone' perpetual firmament which outshines even such luminaries, then that star is Rod Serling himself. For it was Serling’s memorable top and tail appearances for each and every show with that imitated ironically measured, memorably wry vocal commentary, which is perhaps the most enduring image of 'The Twilight Zone’s' legacy... Created by the visionary writer and master of ceremony, The Twilight Zone proved to be both a landmark of televised science fiction and a truly powerful and enduring touchstone in America's pop cultural consciousness. The black-and-white anthology series, which ran on the CBS network from 1959 to 1964, generated lukewarm ratings at the time but has grown in public estimation over time. The Twilight Zone was also blessed with an overabundance of creative talent behind the camera; the situation was also happily mirrored by the sheer top of the range quality of performers who gave flesh to the overall brilliance of the writing which shaped the show’s ongoing legend.

Over the course of its five-year network run, The Twilight Zone explored themes never before examined on television. It inevitably exposed the uncultivated talents of an entire generation of talented character players, like Jack Klugman, William Shatner, and Robert Duvall, who would later go on to become household names for subsequent portrayals. It also cemented the legacy of its creator, at the time known principally as the author of socially concerned live dramas. Serling created The Twilight Zone to serve as a forum for his commentary about technology, conformity, discrimination, and a whole host of other issues. Frustrated by his inability to explore these topics in mainstream dramas in the face of censorship by network executives and skittish advertisers, he hoped that the show's science fiction anthology format might allow him to introduce a little liberal orthodoxy to viewers without alarming the suits. But if Serling was in it for the advocacy, the show's other creative collaborators consistently pulled it all back into the realm of traditional fantasy.

In 1957, CBS purchased a teleplay that writer Rod Serling hoped to produce as the pilot of a weekly anthology series. The Twilight Zone: "The Time Element" marked Serling’s first entry in the field of science fiction. The story is a time travel fantasy of sorts, involving a man visiting a therapist with complaints of a recurring dream in which he imagines waking up in Honolulu just prior to the Japanese attack on Pearl Harbor. "I wake up in a hotel room in Honolulu, and it's 1941, but I mean I really wake up and it's really 1941," he explains, concluding that these are not mere dreams; he actually is traveling through time. Taking advantage of the situation, he bets on all of the winning horses, all of the right teams and, eventually, tries unsuccessfully to warn others— the newspaper, the military, anyone— that the Japanese are planning a surprise attack. With this script, Serling drafted the fundamental core elements that would distinguish the series still to come: a science-fiction/fantasy theme, opening and closing narration, and use of a trick ending. But what would prove popular with audiences and critics in 1959 did not meet with network standards in 1957. "The Time Element" was purchased only to be shelved indefinitely, and talks of making The Twilight Zone into a series eventually ended.

This is where things stood when Bert Granet, the new producer for Westinghouse Desilu Playhouse discovered "The Time Element" in CBS’ vaults while searching for an original Serling script to add prestige to his show. "The Time Element" debuted on November 24th, 1958, to an overwhelmingly delighted audience of television viewers and critics alike. “The humor and sincerity of Mr. Serling's dialogue made 'The Time Element' consistently entertaining,” offered Jack Gould of The New York Times. Over six thousand letters of praise flooded Granet’s offices. Convinced that a series based on such stories could succeed, CBS again began talks with Serling about the possibilities of producing The Twilight Zone. "Where Is Everybody?" was accepted as the pilot episode, and the project was officially announced to the public in early 1959.

For the first time ever, you can easily purchase all 156 complete uninterrupted episodes of Rod Serling's groundbreaking series in one boxed set, packed with exciting extras! Travel to another dimension of sight and sound again and again through these stellar re-mastered high-definition film transfers. Extras include the fascinating Serling bio-documentary Submitted for Your Approval, compelling interviews with the show's writers, the series' unaired pilot, audio commentaries with Martin Landau, Leonard Nimoy, Cliff Robertson and much, much more! There have already been so many Twilight Zone sets released already that even hardcore fans might be wondering if they should spend the money on yet another set. Is it really presented in a different way, packaged differently, and have enough extras to buy it? The answer is a definite yes. This is one of the best TV DVD sets I've ever seen, and an absolute must for diehard fans of Rod Serling's classic show. The set is called The Twilight Zone: The Complete Definitive Collection. You can buy each season separately, but why on earth would you want to?

This 28 DVD set will cost you between $225 to $299 (I know a few bargain hunters who snagged it up at Amazon the first day for $209— ha!). It includes all five seasons of the show, and each episode looks beautiful, with easy to read menus and nice navigation and title animation for the menus. But what sets this set apart from most TV on DVD sets are the extras. My God, they're so much stuff here that I don't know where to begin (it's really rare to find a set where every single episode has an extra attached to it!). Commentaries: You'll hear commentary from people behind the scenes (writers, producers, network execs) and people who starred in the episodes (everyone from Earl Holliman and Don Rickles to Robert Redford, Leonard Nimoy, Billy Mumy, and Jonathan Winters). This isn't just a commentary thrown on to show that the set is complete. These are really intriguing commentaries, as much the history of TV as a celebrity's reminiscence.

The features? They'll blow you away. I was afraid that this set might leave out some of the features of earlier sets, but that PBS American Masters episode "Submitted For Your Approval" is here in full. But even beyond that, you get photos, original scripts (in PDF form, with Serling's own notes!), old commercials for beer and cigarettes, the original promos at the end of each episode previewing the next week's episode, Serling's original video pitch to the network for the show, the 1959 interview Rod Serling did with Mike Wallace, home movies from writer George Clayton Johnson, soundtrack-only tracks for many episodes, episodes from later incarnations of the show, episodes of the radio show (with stars like Jason Alexander and Adam West), an episode of The Liar's Club game show Serling hosted, and— get this— audio and video of Serling's college lectures from the mid 70s! He was a teacher just before he died (in 1975 at age 50), and it's fascinating to hear him answering student's questions about an episode while the episode is playing. It's the closest we'll get to a Serling DVD commentary, and it's incredible.

Downsides: Hmmm...I really can't think of any downsides in a set this complete. Even the packaging (the sets open like a book instead of those cumbersome accordion packages) is wonderful. I guess some of the repetition of the original billboards ("The Twilight Zone was brought to you by...") are a little disappointing, but again, they did it to get everything on here. There's one extra called "Conversations with Rod Serling," and it's one of his college lectures from the 70s, only this time it's a video of Rod sitting around a study with 5 or 6 students, talking about writing. It's labeled "Part 2," but I can't find Part 1 anywhere on the set. Maybe I haven't come across it yet, or it's something that you'd have to get some place else (another set or maybe from www.rodserling.com). But those are minor quibbles, and not really quibbles at all.

Overall Score: A+. If you're a big fan of this show, order it now as an early Christmas present to yourself, or at the very least drop strong hints to your family. UB


Distributed by: CBS Home Video
Genre: Television Series
Rating:


Notable Cast
Rod Serling
Robert Redford

Jack Klugman
Burgess Meredith
William Shatner

Leonard Nimoy
Earl Holliman
Jonathan Winters
Billy Mumy
Don Rickles
James Coburn
Dennis Hopper
Lee Marvin


Features
Audio Commentaries by Earl Holliman, Martin Landau, Rod Taylor, Martin Miler, Kevin McCarthy and William Self, Vintage Audio Recollections with Burgess Meredith, Douglas Heyes, Richard L. Bare, Buck Houghtonj, Anne Francis and Richard Matheson, Rod Serling Audio Lectures from Sherwood Oaks College, Isolated Music Scores featuring the legendary Bernard Herrmann, Jerry Goldsmith and more, Rod Serling Promos for "Next Week's" Show, Rare Rod Sterling Appearances, Highlights from the Musuem of Television and Radio Seminar, Video: Standard 1.33:1 B&W, Auio: ENGLISH: Dolby Digital Mono, Packaging: Custom Case, Number of Discs: 28, Length: 4524 minutes


http://www.imdb.com/title/tt0052520/
 

Beth E. Cochran is a Producer for the TV show “Soap Talk” and has recently crowned herself “Queen of All Soaps.” She has also been an Associate Producer for the daytime talk show, “Dr. Phil.” Before getting her big break and realizing her dream of making television, Ms. Cochran was a also writer and editor for magazines such as Soap Opera Magazine, Soapdish, Soap Opera News, Soap Opera Digest, Soap Opera Update, Entertainment Weekly and Woman’s World.
 



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